Warning: Unexpected character in input: '\' (ASCII=92) state=1 in /home/isi19164/public_html/libraries/rokcommon/RokCommon/Registry.php on line 381

Warning: Unexpected character in input: '\' (ASCII=92) state=1 in /home/isi19164/public_html/libraries/rokcommon/RokCommon/Registry.php on line 394
isiiad - Tamara Dean

Warning: Unexpected character in input: '\' (ASCII=92) state=1 in /home/isi19164/public_html/libraries/gantry/core/utilities/gantryregistry.class.php on line 326

Warning: Unexpected character in input: '\' (ASCII=92) state=1 in /home/isi19164/public_html/libraries/gantry/core/utilities/gantryregistry.class.php on line 339

Tamara Dean

Olive Cotton Award for Photographic Portraiture.

Tamara_Dean_Damien_s

Damien Skipper  Tamara Dean © Tamara is represented by The Charles Hewitt Gallery in Sydney and the James Makin Gallery in Melbourne 

Regular readers of Isiiad will know that I'm obsessed with Montsalvat. I love its buildings, its history, its creative roots. I've also been known to hang out with the artists in residence to watch the progress of their work.  (Dena Ashbolt's work took shape before my eyes.)  With this latest news I'm a bit sorry I wasn't there last year when Sydney photographer, Tamara Dean had her residency.  What resulted, has attracted the attention of art lovers Australia wide. Earlier in June this year, Tamara Dean received the $20,000 Olive Cotton Award, for her portrait of artist and musician, Damien Skipper. The photograph was taken in the grounds of Montsalvat (that's the Montsalvat Chapel in the background) during her residency.  Montsalvat provides opportunities for artists to immerse themselves in a creative experience through their Artist in Residence Program.  They are understandably delighted that this resident has been so successful.  

I caught up with Tamara via email and have published the interview below.  


How did you hear about the residency?

Through an email passed on to me by Larry Macdonald, the manager of Charles Hewitt Gallery who represent my work in Sydney.

In applying, what was it about a residency at Montsalvat that appealed to you most?

The architecture and landscape were precisely what I was looking for at the time to set my series 'Only Human' within.

What was your overall impression of Montsalvat?

An absolutely inspiring feat. I was heartened to see that the artistic community was still thriving.

Could you talk a little about the quality of the energy at Montsalvat during your stay?

It seemed very quiet, almost to the point of feeling solitary, and then the common kitchen would bring the resident artists out to share time at the end of the day.

What was the effect of living with other artists in this particular artist's community?

A strong sense of art as life.

How did the history of the place impact on your work?

The sense of age and decay lends itself very well to the aesthetic I aspire to, so it was the age of the building and the quality of light which really imbued my series.

Tamara_Dean_s
 
Of Flesh and Stone Tamara Dean ©.  Tamara is represented by The Charles Hewitt Gallery in Sydney and the James Makin Gallery in Melbourne.

Could you talk a little about the quality of the light in the photo and how you achieved that?

I shoot at a very particular time of day, just after the sun has set to achieve the quality of light in the photograph.

Could you also talk a little about the collaboration with Damien Skipper?

I had met Damien during my residency and had wanted to photograph him as someone who was a real part of Montsalvat. Damien grew up there, his father Matcham Skipper being one of the initial artists who came together to make Montsalvat what it is. Damien also is an artist and musician, so to me, he embodies the fundamental aspirations of Montsalvat.
I asked if he was open to being photographed and wanted to depict him in the role of caretaker or a gate keeper of sorts.

 What was it that led you into photography in the first instance?

It was a medium which always resonated with me, through high school, art school, my design degree and then in to my professional life as a photographer at the Sydney Morning Herald and in my ongoing art practise.

What's next for you?

I am not quite sure at this point having just finished my recent series 'Only Human' which was exhibited a month ago at 'James Makin Gallery' in Melbourne.

Are you planning any more residencies here or overseas?

I am looking into some options for residencies, and I have just accepted a residency with 'The Lock-up' in Newcastle where I also recently showed my series 'Only Human'.

How has the win impacted on your work and life?

It is a huge validation to keep on with the work I have been doing.

Could you provide any details of upcoming exhibitions?

I will be showing 'Only Human' at Charles Hewitt Gallery in Sydney next March in 2012

Finally, what's the one thing you would like Isiiad readers to know about you? 
My photographic practice is an integral part of my life. It takes me to the most wonderful and challenging places and exposes me to incredible people. Staying open to the creative possibilities that can come from these exchanges is a fundamental part of my work.

It's clear that Tamara was open to the creative possibilities provided by her residency at Montsalvat.   If you are interested in finding out more about a residency at Montsalvat, follow this link.  
Tamara is represented by The Charles Hewitt Gallery in Sydney and the James Makin Gallery in Melbourne. She is also a member of the Oculi photo collective. I encourage you to take a look at their websites for a feast of her work.

My thanks to Tamara for allowing me to publish her photographs.


Parent Category: Arts
Facebook Image

The Meeting Pool

The Meeting Pool I've been mildly troubled that this arts and design blog keeps wandering into the territory of food. Then I'm reminded that food and it's exquisite preparation is… More…

Michael Schlitz Winner of The Rick Amor Print Prize

Michael Schlitz- Winner of the Rick Amor Print Prize 2011 Desert Girl woodcut on kozo 76x56cm Of his winning piece, Michael says, "Desert Girl is an amalgam of two personalities I… More…

Symbols of Loss and Recovery

Symbols of Loss and Recovery I had such an adventure finding Leanne Mooney's studio last Friday. It's out on a dirt track at Christmas Hills, across a creek and through the bush.… More…

Montsalvat's Peacocks

Montsalvat's Peacocks I've succumbed to the beauty of Montsalvat's peacocks. The much loved, oft photographed peacocks were on display when I visited a week ago and I couldn't… More…

Rick Amor

Rick Amor I've seen a few artists studios now. My eyes are always busy darting around looking for clues to an artist's work. Rick Amor's studio is typically revealing. Influences… More…

The Rug Maker of Mazar-e-Sharif

The Rug Maker of Mazar-e-Sharif Montsalvat is currently showing rugs and embroideries from the Middle East, courtesy of writer and carpet seller Najaf Mazari. Najaf is well known… More…

"Urge" -A Celebration

"Urge"- A Celebration The night after Susan Reddrop delivered her work to the MARS Gallery for this exhibition, she delivered another precious gift to the world. That night, her… More…

More Montalvat

More Montsalvat As these photos will show, the buildings at Montsalvat have aged beautifully. To the left of these arches sits the first dwelling to be built. It's referred to… More…

Nillumbik Prize 2011

Nillumbik Prize 2011 Peter Wegner Man Resting 2011 Oil on canvas 153x123cm (detail) The Nillumbik Prize Exhibition opens at Montsalvat's Barn tomorrow evening at 6pm. I whipped in… More…

Violins, flutes and Japanese Ink painting.

David Brown... violin maker, Shakuhachi flute maker and Sumi-e painter... Yes that's right, one artist, many skills. Add an Aikido master with 6th dan to that already impressive… More…

Mariella McKinley

Mariella McKinley Photograph courtesy of the artist. Just when I thought Montsalvat couldn't possibly do anything more to delight me, I met Mariella McKinley. She's been working… More…

Chris Pittard. Red Chair Event

Chris Pittard Red Chair Event Last night was one of those cold wet Melbourne winter nights, when the most appealing thing is to snuggle up beside the fire. I did think about not… More…

Liz Nettleton

Liz Nettleton I came across Liz's work at the exhibition Symbols of Loss and Recovery at Montsalvat. So I hopped in my car yesterday and headed out to her studio at Hurstbridge to… More…

"Urge"

"Urge" (Susan's work from a previous exhibition, in her studio at Malvern.) I've got a photo of a piece from Susan Reddrop's exhibition "Urge", due to open next Wednesday. I was… More…

Big, bold, brave woman!

Bold, brave woman! Susan Reddrop Sue Thomas warned me that I'd be mesmerised by Susan Reddrop's stunning aqua blue eyes. She got that right! I've never seen eyes that colour… More…

Kavisha and La Voce Della Luna

Kavisha and La Voce Della Luna I need some new superlatives. A quick check of my trusty Thesaurus and I found some new words for magnificent... sublime, splendid, splendorous,… More…

Anthony Williams- Montsalvat's new painter in oils

Anthony Williams One of Montsalvat's new artists, Timothy Clarkson, has already delighted many Isiiad readers with his fusion of ceramics, origami and well chosen newspaper… More…

Fu Hong

Fu Hong - a Retrospective Exhibition FU Hong Window I, oil on canvas, 152 x 122cm. (Photograph courtesy of the artist) The above painting is one of many being exhibited in the… More…

Dena Ashbolt. Artist in Residence Montsalvat.

Dena Ashbolt. Artist in Residence Montsalvat. Dena Ashbolt is Montsalvat's latest artist in residence. She arrived there over a week ago and will be there for six weeks in all.… More…

Montsalvat extension

Montsalvat Extension As I suspected, a Month in Montsalvat just wasn't enough. It officially ends today but I still want to bring you a special tribute to Matcham Skipper, a piece… More…

Copyright

THIS ENTIRE SITE © 2010-2012 ISIIAD. ALL OF THE PHOTOGRAPHS AND WRITTEN MATERIAL HEREIN, UNLESS OTHERWISE NOTED, ARE COPYRIGHTED BY ISIIAD. NO PART OF THIS SITE, OR ANY OF THE CONTENT CONTAINED HEREIN, MAY BE USED OR REPRODUCED IN ANY MANNER WHATSOEVER WITHOUT EXPRESS PERMISSION OF THE COPYRIGHT HOLDER.